Recently, Kaplan recorded lectures on “The Plague” for her class “The Modern French Novel,” which she co-teaches with French professor Maurice Samuels. The novel presents a snapshot of life in Oran as seen through the author's distinctive absurdist point of view. This is not a recapitulation of current events — it is the beginning of “The Plague,” a 1947 novel by French-Algerian writer and philosopher Albert Camus. Peter Farago Robin Buss’s 2001 translation - so much better! These depictions are particularly significant because Camus himself had tuberculosis for much of his life and was in very poor health while writing “The Plague.”. He highlighted the character Rambert, a journalist stranded far from home upon the city’s lockdown. Marris’ role has become obviously more nuanced since then. Penguin Books has just published a new translation by Robin Buss of La Peste, by Albert Camus, and the text that follows is my introduction, written some months ago. “So I hope Camus can be one of the voices that advocate for that sort of a future.”. “So where Camus will write something simple, like, ‘They returned to work,’ Gilbert might translate that as ‘They put their shoulders to the wheel.’ The novel is heroic on its own, so it’s unnecessary to create that heroic feeling if it wasn’t originally there on the page.”. (You can get a primer on Camus’ life, work, and reluctantly existentialist philosophy in the animated School of Life video above .) Last week, Marris published an essay in the New York Times titled “Camus’s Inoculation Against Hate.” In the essay, Marris wrote that “while Camus was writing for the moment, he was also writing for the future … I still hope that books from the past can be a kind of serum for the future.”, Camus lived through World War II and the Algerian War. The Plague concerns an outbreak of bubonic plague in the French-Algerian port city of Oran, sometime in the 1940s. Albert Camus; drawing by David Levine. An icon used to represent a menu that can be toggled by interacting with this icon. The first-person narrator is unnamed but mostly follows Dr. Bernard Rieux.Rieux notices the sudden appearance of dying rats around town, and soon thousands of rats are coming out into the open to die. L'Étranger (French: [l‿e.tʁɑ̃.ʒe]) is a 1942 novel by French author Albert Camus.Its theme and outlook are often cited as examples of Camus's philosophy, absurdism coupled with existentialism, though Camus personally rejected the latter label. “His restraint, and the way he lets the weariness of the situation into the rhythms of his sentences. Despite not believing in God, or the resurrection of Jesus, Camus describes … One book has established itself as the undisputed pick of the pandemic-lit. Psychology Today published an article co-authored by Kate Berukova, about how the coronavirus pandemic may affect how we relate and interact with one another for years to come. “If there were ever an argument for protecting vulnerable people in our society, the experience we’re living through should inform us and push us in the direction of care, support and community,” Marris said. Having secured the position, she began working a few months later on what will be the first version of the French literary classic for an American audience since Knopf published Stuart Gilbert’s translation in 1948. An Associated Press quotes Monica Stephens in an article on social media platforms locking down the accounts of President Trump. “I hope that through this translation, Camus will become one of the voices that advocates for a more humane world when we emerge from this.”. “I think that the humanities and literature especially can help us return to that experience of human scale and connect us through a shared readership that helps us have a voice like Camus’ voice that watches out for the most vulnerable sectors of our society. Marris began the project in September 2019, months before the coronavirus spread across the globe. “He gives a moving argument for the value of creating communities and having a shared immunity to the forces of totalitarianism, fascism, oppression, all those forces which on a large scale want to suppress individual communities and create some kind of terrifying cultural homogeny,” says Marris. “There is real depth in his portrayal of illness, and he had a real personal stake in it,” Marris said. “There are moments when Camus is almost like a lyric poet,” Marris said. That kind of opportunity for a translator is an important responsibility, which she acknowledges along with her lifelong appreciation for Camus’ work and the pleasure that comes from trying to do justice in English to his original French sentences. 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