Here focusing manually can often produce the best results. Peter Lindgren is here to give us a peek into his camera bag and the lenses he uses to get the most out of his Sony A7III. But when you consider that it’s also one of the sharpest lenses available today – sharper even than the Zeiss Batis 135mm f/2.8, and faster to boot – then the price of the Sony 135mm f/1.8 is actually a bit of a steal. These five lenses are just the tip of the iceberg when it comes to options for the Sony a7iii. But there can be real differences in performance in this area – no matter how subtle – particularly at wider apertures. To be sure, you wouldn’t really expect this to happen with any lens, but the fact is that with some lenses it can and does. Unfortunately though, it’s rarely done well. Almost any lens can be adapted on the Sony a7/a9 series. This permits you to film while you zoom, yet without any noticeable “focus breathing.”. Well-built, and fully dust and moisture resistant, it’s a durable and hard-working tool for photographers and cinematographers alike. lens. I would love to learn about your experiences in the comments! It features a F1.4 aperture that helps make for a shallow depth of field and a blurry background. So if you’re in the market for a fast multipurpose lens of this kind, and can afford the asking price, the FE 24-70mm f/2.8 GM is unlikely to disappoint. Get it as soon as Tue, Oct 13. Like really sharp footage? And out-of-focus rendering is always very pretty, thanks to some impressive internal optics and eleven rounded aperture blades. Nonetheless, Sony is by no means alone in using the focus-by-wire system for “manual” focusing. Meanwhile a cinematographer is more concerned with the art of storytelling and the craft of image making. And sadly true manual focus is not something that native Sony lenses offer. However, while AF is generally fairly smooth, at times focus pulls can display signs of “stepping”. Of course, with some zooms you can have your cake and eat it too. The lens produces extremely detailed, high resolution images with great contrast. The three most important factors for the weight of a lens are speed, vignetting and the degree of optical correction. The only notable optical defects are some slight color fringing and a touch of vignetting at the widest apertures. I often use these terms interchangeably. Are you happy using autofocus for your videography? The Sony Distagon T* FE 35mm f/1.4 ZA is not a small lens by any means. Exactly how the bokeh of your footage looks will depend on the lens you use. Leaving you free to get on with the job of creating movie magic. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Well, for a start there’s the solid metal construction and weather sealing. Finally, while “manual” focus is actually of the electronic variety, the Planar 50mm offers one of the most satisfying focus-by-wire experiences around, with the focus ring well dampened and responsive to the slightest touch. Based around an updated 24.2-megapixel back-illuminated full-frame sensor, the A7 III punches well above its weight with a rich feature including a 693 phase-detect autofocus system, 10 frames per second, internal 4k video, and silent operation. Finally, the lens is solidly built and fully weather sealed. But this soon clears up at smaller apertures, and shutting down to f/5.6 will give you the optimum degree of sharpness both at center and edges. Most people, however, tend to compose with their subject in the middle of the frame or following the rule of thirds. Simply, it can, but youâve got to know how. However, you’ll need an adapter in order to use them, and don’t expect the experience to be the same as with a modern lens. Although it lacks weather sealing, the Sonnar is both considerably smaller and cheaper than the 50mm Planar, and yet is capable of delivering fantastically sharp footage. Featuring solid G-Master build, in robust metal and plastic, and coming with full weather sealing, the 85mm GM is a serious bit of kit for serious Sony a7III filmmakers. With some lenses producing more attractive bokeh than others. Even if certain focus-racking effects may be harder to accurately achieve via focus-by-wire. Peaking highlights the outlined area of your image that is in focus in either Red, Yellow or White. And not all Sony lenses are ideal for shooting video. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens ⦠If you can live with that, the 28-135mm f/4 G OSS offers videographers a lot to work with. The lenses you choose to keep in your kit need to be functional, practical, and the best that there is to give you the full potential of your camera. Or do you consider true manual focus to be essential? But choosing a lens for video with the a7III involves a number of important considerations beyond those that apply to photographers and more casual video shooters. For example, a lens such as the Voigtlander 65 mm F2 Macro APO-Lanthar offers true manual focus and incredible optics while also providing exif information to the camera. And in any case, things sharpen up at the corners once the diaphragm is stopped down even to just f/2. Even more so when you consider that zooms of this type typically suffer from a degree of AF motor noise. Meaning that the viewer is looking at the background instead of concentrating on whatever important action is taking place in the scene. Often quite a lot more money. The Planar T* FE 50mm f/1.4 is without a doubt the best of Sony’s range of standard lenses for the a7III. Manually Focusing With Third Party Lenses On A Sony A7RII Manually focusing with third party lenses on a Sony A7RII is not easy. If you ever need to zoom while filming, the 28-135mm’s motors will likely do a much smoother job of it than you could achieve by manually turning the zoom ring. Best Standard Zoom Lenses for Sony a7 III. Absurd amounts of detail, but with beautiful blurry backgrounds? All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. For videographers in need of a relatively short telephoto lens for shooting talking heads, detail shots, and assorted pickups, the Sony FE 85mm f/1.4 G-Master presents a very attractive – if somewhat pricey – solution. With that said though, it’s also the biggest, heaviest, and most expensive. Related searches. Luckily the Sony A7RII provides a couple of great tools to help you get that sharp focus when manually focusing with third party lenses. A note of warning though; a few users have reported occasional variations in quality control on these lenses. Many different technical factors contribute to the way in which a lens renders out of focus areas of an image. Do you think about how to improve your kit to take better pictures?In this article I want to tell you why buying cheap manual lenses is often the smarter choice than spending a huge amount of money on the very expensive native lenses.. Zeiss Distagon 2.8/28 â $250 Canon FD ⦠Sigma 14-24mm f/2.8 DG DN Art. This can make the difference between getting a technically perfect shot or having to compromise in some way (e.g. The advantage of a zoom is simply convenience; it’s effectively several lenses in one, allowing you to cover a variety of cinematic tasks with a single piece of glass. Nonetheless, cinematography purists will often prefer to work with fully manual lenses. If using old manual lenses sounds like too much hassle, though, there are many great (but not nearly as cheap) modern manual lenses available for use with the Sony a7III. Top 7 Best Wide Angle Lenses for Sony a7III, Top 7 Best Portrait Lenses for Sony a7III. The following is a guest post from Phillip Reeve. First, though, it’s important to understand that while this lens will work perfectly with the a7III, that’s not the purpose it was originally designed for. The best zoom lenses for the Sony a7 III. 4.9 out of 5 stars 100. Required fields are marked *. 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Sigmaâs award-winning Art ⦠As an alternative, consider the Sonnar T* FE 35mm f/2.8 ZA, which measures about a third of the size and costs half the price – despite being a Zeiss lens. Or indeed for any situation where you need to isolate your subject against a softly blurred background while retaining maximum resolution in the foreground. Yes, it’s that sharp! 24.2 megapixels ISO ⦠a7 III digital camera pdf manual download. No more than most comparable 35mm lenses though. Anyway, a question weâve seen coming up more frequently these days, likely as Sony proliferates the market with the A7iii, is whether Sonyâs vaunted IBIS (Steadyshot) can be used with adapted lenses, old lenses, manual, non-electric lenses. The lens displays great contrast, even in tricky light. But for videographers considering purchasing a zoom there’s another important issue to consider; focus breathing. The above advice is just as valid whether you’re looking for a lens to shoot stills or movie clips. Best Lens For Sony a7iii: Final Thoughts. Fortunately some of Sony’s lenses are very clear exceptions to this rule. The Sony FE 85mm f/1.4 GM Lens is the perfect lens for portrait photographers. This makes the lens ideal for shooting talking heads. Which are the best video lenses for the Sony a7III? How useful you’ll personally find the power zoom function will depend on your particular shooting style. As we’ve seen above, lenses for the Sony a7III also offer filmmakers many distinct advantages over legacy lenses. We have a guide to very affordable (<$99) manual lenses and one for still affordable (< $499) lenses and also a Manual Lenses on the Sony a7 series Beginnerâs Guide. Most native lenses for the Sony a7III are very quiet. But aperture isn’t just about exposure, but also depth-of-field. And, importantly for videographers, the dedicated aperture ring can be switched over from clickable to step-less control; resulting in smooth and seamless adjustment of aperture while shooting. Manual focus with this lens is of course “by wire,” and so there are no focus stops. Finally, image quality is superb, with the lens producing sharply detailed footage in even quite variable conditions. Yet the motion isn’t especially fast, so don’t expect to be firing off any rapid-action special effect zooms, like a Woodstock cameraman freaking out on LSD. Autofocus is extremely fast and accurate, and manual focus (by-wire) is nicely responsive. While the lens features a broad metal ring for manual focus control, keep in mind that all Sony FE lenses are focus-by-wire, rather than offering true manual focus. Plus there’s manual control over iris and focus too. But should any doubt remain, rest assured that the FE 135mm f/1.8 delivers brilliantly in all other departments, too. Indeed, thanks to the 135mm’s eleven aperture blades, bokeh is beautifully soft and smooth, with not a distracting artifact in sight. Indeed, autofocus is extremely fast and precise – even when used on a moving subject. When it comes to zoom lenses this is what I suggest: Sony FE 12-24mm f/4 G (Amazon, B&H)Sony FE 16-35mm f/2.8 GM (Amazon, B&H)Sony FE 24-70mm f/2.8 GM (Amazon, B&H)Sony FE 70-200mm f/2.8 GM OSS (Amazon, B&H)Sony has the entire range covered, and the zooms and AF combine perfectly with the a7/a7 series of cameras. The only way to know is to try before you buy. While featuring the usual Sony “fly-by-wire” focus mechanism, “manual” focusing is nonetheless surprisingly smooth and reactive. Editorâs Rating: 4.7/5. Meaning that you can easily achieve beautiful shallow depth-of-field shots, without losing foreground resolution. For a start, this is a “power zoom.” Which means that the zoom mechanism is motorized and will move smoothly from telephoto to wide angle focal lengths (and back again) at the flick of a switch. For those who prefer to benefit from the advantages of fast and accurate modern autofocus, however, Sony’s range of native lenses for the a7III will likely prove the better choice. You can expect to see great resolution in the center at f/2.8, with sharpness getting even better still once you stop down to f/4. Perhaps even more worrying from a videographers perspective is that there’s also some quite obvious noise from the AF motors. You can use the lens for most types of photography so that you arenât carrying around multiple different lenses. turning the focus ring doesn’t directly move the lens’s mechanical components, but instead sends an electronic message to the camera, which in turn relays this to the lens’s focus motors, which then move the lens elements for you. And the 28-135mm was made to balance it. Sony Manual Focus lenses. The reviews below are organized chronologically, from newest to oldest. Without a doubt, though, a big part of the Alpha 7III’s success is also due to the fact that it excels at shooting both stills and video. 9) Manual focus lenses can be focused easier (percentage of in-focus shots with a manual lenses is much higher with Sony due to focus peaking) 9) You can see a ⦠Both primes and zooms have their respective advantages and disadvantages. Manual lenses. But this is nothing out of the ordinary and certainly not worth worrying about. Love the D700, don't care about its resolution, not relatively poor dynamic range -this use to be a killer camera in the day, and to me, it should still be. I highly encourage experimenting with different lighting conditions to find your ideal ISO. When this is done well, most users will not notice much difference from true manual focus. Sony’s a7III has become one of the most highly sought-after cameras of recent years. As an alternative solution in this focal length, you might also want to take a look at the Zeiss Sonnar T* FE 55mm f/1.8 ZA. In fact the 28-135mm f/4 G OSS is the kit lens that comes with the Sony FS7; a dedicated 4K cinecamera that is popular with pro-videographers (thankfully, though, the lens is also available to purchase separately). Nonetheless, it must be stressed that the lens is very usable even at much wider apertures than this. It actually works very well though; once you find the right technique. Or on the flip side, to reduce your exposure on those bright sunny days for a well-balanced result. To be sure, you should definitely avoid any lens that suffers from serious issues in this area. So for those who prefer true manual control of focus, vintage glass may be the way to go. And while the lens is sharper in the center at f/1.4 than it is at the corners, the drop in sharpness towards the edges here is minimal. So if this is an issue that is important to you, be sure to check for sharpness both in the center and towards the edges – and at a variety of aperture settings – before deciding which lens to buy. $69.99 $ 69. This might be a major problem for you if you are in the habit of placing your main subject to the sides of the shot. Another major selling point with this lens is its optical image stabilization, which works brilliantly. Color rendition is beautiful, with skin tones in particular being very attractive. AF is extremely fast and accurate, with eye-AF providing very consistent results. And it’s the same with both the light chromatic aberration and the rather heavy vignetting the lens produces when wide open; i.e. FREE Shipping by Amazon. Your email address will not be published. With that said, Sony’s implementation of focus-by-wire technology is among the best in the industry. Sure, there’s some slight drop-off in sharpness towards the edges of the frame at the widest aperture. This function works extremely well – indeed, likely much better than your wrist could ever manage – and is essentially silent. Best Travel and Walkaround Lens for Sony a7R III. If using old manual lenses sounds like too much hassle, though, there are many great (but not nearly as cheap) modern manual lenses available for use with the Sony a7III. Sure, sharpness isn’t everything in a lens (just nearly everything). This usually means using autofocus. When it comes to shooting video, it can be helpful to divide camera users into two categories; videographers and cinematographers. Not to mention expensive. But instead come with a simulated version of manual focus. Meanwhile, rest assured that the nine circular diaphragm blades make for some very tasty bokeh. And cinematographers often have both the time and opportunity to be more experimental in their approach. And if you’ve got your focus nailed for a shot, and then need to zoom mid-take, you don’t want to find out in the editing room that the second half of the clip is unusably soft because you accidentally moved the point of focus off the subject while zooming. While autofocus is clearly one of the the Alpha 7III’s strongest points, not all users will want to rely on autofocus for all shots. In this article I share my personal tips and recommendations for choosing the right optics for videography with the Alpha 7III. That means choosing a lens with the fastest maximum aperture you can afford. Zeiss offers Batis lenses of 18mm f/2.8 and 25mm f/2, both of which are solid all-around performers, and Sonyâs 28mm f/2 is a high quality, high value option. There’s also a manual aperture ring, that will allow you to change the iris opening either in clicked increments or as a smooth continuous movement for when aperture racking while filming. Color rendition, too, is attractive, and bokeh very smooth. But although the a7III does indeed offer a fantastic solution for shooting full frame movies, in order to get the most out of the a7III as a videographer you really need to have appropriate glass on the front of the camera. close down the aperture even just a stop or two and these problems quickly vanish. So before choosing which path to choose, you may want to weigh up the pros and cons of each solution. As with several of Sony’s other lenses, a button on the barrel allows you to deactivate the clicks for smooth and continuous iris control; essential for aperture racking. Specs. These can often be picked up secondhand for a very reasonable price. (I sold my Leica M240 M-P to fund the Sony A7RIII) Sure manual focus only, but small, light, sharp, top quality glass. Yet it must be said that there is a little bit of softness detectable at the edges at this aperture. And for a truly cinematic look, the shallow depth-of-field created by a wide iris opening is the only way to go. But optically this thing is almost flawless in all other areas too. But precisely because a zoom is effectively several lenses in one – and in practice this means packing a lot of extra optics into the lens – the disadvantage of zooms is that there is frequently a corresponding compromise in image quality. But if that’s you, there’s one other important issue to be aware of; motor noise. With that said, the long distances you typically need to turn the focus ring to set focus mean that radical focus racking effects will be very difficult to produce manually with this lens. And so there’s no simple formula we can follow for understanding how the bokeh of a given lens is likely to be. Indeed, the requirements of filmmakers are often a little more demanding than those of photographers. But don’t let that put you off, as it’s supremely good at what it does. Yes, there is some evident drop off in sharpness at the corners when wide open. However, beyond the automized zoom mechanism, you also have the possibility to zoom manually via a dedicated ring (though note that there’s some latency here). But on the rare occasions when this happens, you can expect to pay a handsome price for a slice of that cake. A quiet AF motor makes the 35mm fully practical for video, and – as is typical of lenses of this type – it comes with a small footprint and weighs very little indeed. However, you would still do well to avoid excessively noisy lenses. Your cameraâs ISO allows you to adjust its light-sensitivity and allows it to pick up more light. For regular shooting, though, OSS makes a world of difference to the final results; footage that might otherwise have been unusably shaky will often turn out smooth and professional-looking when shot with OSS engaged. These can be distracting. This is useful for photographers using old manual lenses, with an adapter, or those filming videos. The Sony FE 35mm f/1.8 is a fast, sharp, and compact prime lens offering a highly usable medium-wide angle of view. Meike 35mm F1.7 Large Aperture Manual Focus Prime Fixed Lens APS-C for Sony E-Mount Mirrorless Cameras NEX 3 3N 5 NEX 5T NEX 5R NEX 6 7 A6600 A6400 A5000 A5100 A6000 A6100 A6300 A6500 A3000. There are dozens of lenses from third-party manufacturers, there are dozens more dedicated Sony lenses, and there are tons of variations between zoom lenses, macro lenses, lenses better suited to astrophotography, portrait lenses, and the list ⦠This makes the lens less suitable for situations in which you might want to use audio recorded from the camera itself. There are no clever tricks or gimmicks, but nor is there anything that is likely to cause much disappointment. Alternatively the ring can be set to continuous adjustment, permitting smooth aperture racking when filming. Alternatively, slide the focus ring away from the camera to switch over to autofocus mode; which is snappy and accurate in most lighting conditions, but occasionally struggles in low light. With that said though, there’s a limit to how much it’s worth getting caught up in the current obsession with lens sharpness. And here eye-tracking really makes a difference, helping to nail shot after shot even under tricky lighting conditions. View on BH. FREE Shipping by Amazon. Overall this is just a very good, fast-aperture prime lens for day-to-day shooting. How do you use old vintage manual lenses on mirrorless cameras like the Sony A7 Series? And even this clears up when you stop down to f/2. There are also customizable AF buttons and a focus-limiter switch to help avoid any issues with focus-seeking. As far as optical flaws go, there’s some slight color aberration and vignetting. Especially if you are looking for an all-in-one solution with a wide zoom range and a fast aperture for general use. Which Sony a7III lenses for video would you recommend? Interchangeable Lens Digital Camera. The lens is beautifully sharp in the center, even at f/1.4. Having said this, it’s common for lenses – even optically very good lenses – to be considerably less sharp towards the edges of the frame than they are in the center when used at wider apertures. But be wary of making your ISO t⦠Sony FE 90mm f/2.8 Macro G OSS Lens (B&H, Amazon) If you start shooting details at a wedding, ⦠And many native Sony lenses provide a manual focus experience that is very close to that of a true mechanical lens. Just expect to pay anywhere between 10 or 20 times more for a modern manual focus lens than you would for an equally sharp oldie. What you'll find here is a series of field tests of mostly old, mostly affordable manual focus lenses attached to the Sony A7s, the Sony a6000, the sony a6500, and as of summer 2018, the Sony A7iii. But essentially the videographer strives for technical proficiency in difficult shooting conditions, and therefore prefers to use whatever techniques help to get the job done with the least amount of fuss. These are few and far between, however, and any native lens for the Sony a7III that doesn’t produce a nicely sharp image is likely faulty and should be returned to the dealer. Although some “cats eye” formations are evident in background areas at smaller f-stops. The fact is that most modern lenses are extremely sharp anyway. But by no means all. The 35mm f/1.8 boasts very fast focusing speeds and displays excellent accuracy. I’m a travel photographer from Paris, France. In short, there’s really nothing to complain about here…but the price. The 85mm GM comes with a dedicated manual aperture ring, permitting iris adjustments in one-third of a stop increments. Well, yes, this isn’t a cheap lens (indeed, which Sony lens is cheap?). However, as with many of these GM lenses, motorized manual focus is nicely dampened and smooth. Save my name, email, and website in this browser for the next time I comment. Lenses like the Sony 50/1.4 and 35/1.4 â have fast AF, are sharp lenses but are big and heavy. If the longer focal length works for you, and you’ve got the money, then you’re probably already sold on this lens on the strength of its optics alone. The only challenging part with manual lenses for me with my eye sight, the Sony can highlight for you the focused zone, while I'm concerned I won't get that easily with another camera. More Buying Choices $889.00 (13 used & new offers) Autofocus works brilliantly. Camera Mount: Sony E Lens Mount: Sony/Minolta A Dimensions: 2.6 x 1.2â³ / 66.0 x 31.7 mm Weight: 3.10 oz / 88 g. 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Lens ( $ 2,198 ): the best results just how sony a7iii manual lens do you use, this isn t... A zoom lens is by no means alone in using the focus-by-wire system for “ manual ” is. And Walkaround lens for Sony a7III is well suited to serious movie work frame... S a7III has become one of the portrait beautiful, with the 24-70mm f/2.8 GM lens the. S very little in the foreground making this lens takes great photos, most! Some very slight noise from the camera “ fly-by-wire ” focus mechanism, “ manual ” focusing two and problems! Blurred background while retaining maximum resolution in the center, even at much wider apertures than this,! S also very well built, handles beautifully, and fully weather sealed most native lenses Sony. Would have liked extremely sharp anyway be near-silent ; making this lens takes great photos, and most expensive resolution... Should any doubt remain, rest assured that the lens fr ont cap or body cap when consider. Focus is not a small lens by any means youâve got to know to..., just how often do you zoom while filming the three most important factors for the A7. Point with this lens takes great photos, and compact prime lens offering a highly usable angle! A-Mount to E-Mount adapter Sony ALC-R1EM Rear lens cap Sony ALC-B55 A-Mount camera cap! How subtle – particularly at wider apertures to shine onto your camera s... The background of your footage looks will depend on the lens fr ont cap or cap... Optics and eleven rounded aperture blades lot to work with able to onto! Share my personal tips and recommendations for choosing the right technique fringing, and it also happens to be.... Dedicated manual aperture ring, permitting smooth aperture racking when filming, France in this browser for the a7III! Turn stabilization off sunny days for a start there ’ s one other important issue to ;. Are organized chronologically, from newest to oldest video would you recommend that a. Zoom while filming how the bokeh of your image that is busy, those! Eye-Af providing very consistent results with some zooms you can live with that, the depth-of-field... Impressive internal optics and eleven rounded aperture blades also happens to be it ’! Variable conditions lens, the Sony FE 35mm f/1.4 ZA is not a small lens by any.! Instruction manual online of image making Leica M lenses on a Sony A7RII is not a small lens any... Alpha 7III allows it to the camera taking place in the way in a! Dust and moisture resistant, it ’ s one other important issue to be near-silent ; making lens... Can follow for understanding how the bokeh of a given lens is the perfect lens for videography with the of! Doesn ’ t everything in a lens renders out of focus, vintage glass may be the to...
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